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From 1985: The return to the figure

After a beginning in which the free use of Figurativism derived into Abstraction (see Work from 1965-1985), I recovered the human body as a support with the certainty that it can be the most complex and dense container for the sculptor’s contemporary ideas. Since then, I have been inventing figures with the desire of building myself, as I understand these bodies as a shroud of my own intuitions. However, after leaving behind an stage of more-obvious experimentation, I’ve been aware of entering a high risk zone in which fascination and balance are very difficult to attain and perceive.

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